Almudena Rocca
Glasgow School of Art
Almudena Rocca is a multi-disciplinary artist. In the last
few years, she has been developing her skills using a
variety of materials including metal, glass, clay, wood,
digital photography, pen and pencil. Often her designs will start with a continuous line drawing and then develop into a piece of 3D work. Inspiration comes from a very personal interest in mental ill health, politics, feminism and the role of women in art in today’s society.
Untitled 1
Steel and Fused Glass
140x120x40cm
Not for sale in the Auction
Almudena Rocca
Glasgow School of Art
Almudena Rocca is a multi-disciplinary artist. In the last
few years, she has been developing her skills using a
variety of materials including metal, glass, clay, wood,
digital photography, pen and pencil. Often her designs will start with a continuous line drawing and then develop into a piece of 3D work. Inspiration comes from a very personal interest in mental ill health, politics, feminism and the role of women in art in today’s society.
Untitled 2
Screen Print on Paper
145x110cm
Aucton Guide Price: £450 - £550
Almudena Rocca
Glasgow School of Art
Almudena Rocca is a multi-disciplinary artist. In the last
few years, she has been developing her skills using a
variety of materials including metal, glass, clay, wood,
digital photography, pen and pencil. Often her designs will start with a continuous line drawing and then develop into a piece of 3D work. Inspiration comes from a very personal interest in mental ill health, politics, feminism and the role of women in art in today’s society.
Untitled 3
Screen Print on Paper
145x110cm
Aucton Guide Price: £450 - £550
Amanda Shropshire
Manchester School of Art
My collection of geo-floral designs is inspired by a fusion of folk art traditions from Morocco and Scandinavia along with a mid-century modern influence of bold colour choices and clean lines. The tactile qualities of velvet and its luscious feel adds softness to the bold colour palette.
Geo - Floral
Inkjet Printed Velvet
208x117cm
Aucton Guide Price: £400 - £500 (set of 2)
Amanda Shropshire
Manchester School of Art
My collection of geo-floral designs is inspired by a fusion of folk art traditions from Morocco and Scandinavia along with a mid-century modern influence of bold colour choices and clean lines. The tactile qualities of velvet and its luscious feel adds softness to the bold colour palette.
Geo - Floral
Inkjet Printed Velvet
208x117cm
Aucton Guide Price: £400 - £500 (set of 2)
Amelia Francis Wood
Leeds Arts University
Amelia Wood’s practice is concerned with retaining the hand of the maker, a tactile approach to material is necessary within Wood's work. Wood characterises the seams of construction to reveal the visible processes of making that permeate the surface. This piece focuses on the two opposing aspects; chaos and control. The faces are revealed in their raw form simultaneously on the bed sheet.
Watching Eyes and Crooked Faces
Black Embroidery Thread on White Cotton Bed Sheet
87x107cm
Aucton Guide Price: £600 - £700
Shortlisted, Kenneth Armitage Sculpture Award 2019 Winner, The Art House Residency 2019
Anthea Spivey
Leeds Arts University
'They Don’t Die, They Disappear' is a photographic series exploring the albino community in Senegal. The aim of the project was not only to raise awareness for albinism in Africa, but to also seek donations of sunscreen for families too. Working alongside Club Albinos SN, Spivey was able to meet families and individuals with the condition and hear their stories. Since starting the project, over 200 bottles of sunscreen have been donated to families from people around the world with more on the way.
Penda and the Sheep Hide
Matte Photo Rag, Mounted on Dibond
84x59cm
Aucton Guide Price: £1000 - £1100 (set of 3)
Winner, Vogue Talent Contest 2018
Anthea Spivey
Leeds Arts University
'They Don’t Die, They Disappear' is a photographic series exploring the albino community in Senegal. The aim of the project was not only to raise awareness for albinism in Africa, but to also seek donations of sunscreen for families too. Working alongside Club Albinos SN, Spivey was able to meet families and individuals with the condition and hear their stories. Since starting the project, over 200 bottles of sunscreen have been donated to families from people around the world with more on the way.
Alioune, Eyes Covered
Matte Photo Rag, Mounted on Dibond
84x59cm
Aucton Guide Price: £1000 - £1100 (set of 3)
Winner, Vogue Talent Contest 2018
Anthea Spivey
Leeds Arts University
'They Don’t Die, They Disappear' is a photographic series exploring the albino community in Senegal. The aim of the project was not only to raise awareness for albinism in Africa, but to also seek donations of sunscreen for families too. Working alongside Club Albinos SN, Spivey was able to meet families and individuals with the condition and hear their stories. Since starting the project, over 200 bottles of sunscreen have been donated to families from people around the world with more on the way.
Mamadou and Oumou
Matte Photo Rag, Mounted on Dibond
84x59cm
Aucton Guide Price: £1000 - £1100 (set of 3)
Winner, Vogue Talent Contest 2018
Benjamin Campbell
Leeds Arts University
How we as humans navigate our reality is at the centre of
my practice, how we perceive, experience and react
reflects the individual and society we are engaged within.
The digital world we live in, ultimately has differed not just the ways we live but how we undertake the inherent
experience. Through the experience of my work I explore
ways of seeing, living and being and how the times we are
engaged within manipulates how we govern our reality.
Moments captured; times lost
Inkjet Print on Digi Wallpaper, with MDF and Pine Frame
210x90x12cm
Aucton Guide Price: £450 - £550
Charlie Yates
Glasgow School of Art
My practice is driven by my reflections on journeys of discovery I have embarked upon over recent years. My work is made up of a series of observations of actual and partially recalled places, objects and memories in the form of sketches, photographs and recordings of both a written and verbal nature. I re-contextualize these experiences by translating them into paintings and inevitably lose information; this fall out is apparent in the paintings sparse and fragmented nature.
The Real Tennis Court I (Lambay Island)
Oil on Stained Plywood
75x105cm
Aucton Guide Price: £800 - £900
Charlie Yates
Glasgow School of Art
My practice is driven by my reflections on journeys of discovery I have embarked upon over recent years. My work is made up of a series of observations of actual and partially recalled places, objects and memories in the form of sketches, photographs and recordings of both a written and verbal nature. I re-contextualize these experiences by translating them into paintings and inevitably lose information; this fall out is apparent in the paintings sparse and fragmented nature.
The Real Tennis Court II (Lambay Island)
Oil on Stained Plywood
75x105cm
Aucton Guide Price: £800 - £900
Charlie Yates
Glasgow School of Art
My practice is driven by my reflections on journeys of discovery I have embarked upon over recent years. My work is made up of a series of observations of actual and partially recalled places, objects and memories in the form of sketches, photographs and recordings of both a written and verbal nature. I re-contextualize these experiences by translating them into paintings and inevitably lose information; this fall out is apparent in the paintings sparse and fragmented nature.
The View from the Doorway (Lambay Island)
Oil on Stained Plywood
105x105cm
Aucton Guide Price: £700 - £800
Coco Main
Glasgow School of Art
I have always had a curiosity and fascination with natural phenomena and objects of organic formation. This has led me down an artistic investigation into the natural world. Like nature I also change and transform materials. My methodology and innate connection to my subject matter has allowed for the emergence of a reciprocal ecosystem between tool making (process) and image narratives to permeate through the work.
Up in Smoke
Acrylic and Watercolour on Watercolour Paper
147x122cm
Aucton Guide Price: £500 - £600
John and Mabel Craig Award Glasgow School of Art 2015
Connie Burlton
Glasgow School of Art
Connie Burlton’s practice explores the contemporary return of the hand, considering making within the context of our digital age. Since the explosion of the internet, the manipulation of physical material has been replaced by simulations or visualisations. Whilst this may satisfy the eye it leaves the body feeling amputated. The physicality, materiality and tactility of her paintings provide a potent antidote to the ubiquitous screen and the progressively intangible digital age.
Untitled 1
Oil on Canvas
170x110cm
Aucton Guide Price: £500 - £600
Connie Burlton
Glasgow School of Art
Connie Burlton’s practice explores the contemporary return of the hand, considering making within the context of our digital age. Since the explosion of the internet, the manipulation of physical material has been replaced by simulations or visualisations. Whilst this may satisfy the eye it leaves the body feeling amputated. The physicality, materiality and tactility of her paintings provide a potent antidote to the ubiquitous screen and the progressively intangible digital age.
Untitled 2
Oil and Graphite on Canvas
170x110cm
Aucton Guide Price: £500 - £600
Connie Burlton
Glasgow School of Art
Connie Burlton’s practice explores the contemporary return of the hand, considering making within the context of our digital age. Since the explosion of the internet, the manipulation of physical material has been replaced by simulations or visualisations. Whilst this may satisfy the eye it leaves the body feeling amputated. The physicality, materiality and tactility of her paintings provide a potent antidote to the ubiquitous screen and the progressively intangible digital age.
Untitled 3
Oil and Graphite on Canvas
190x130cm
Aucton Guide Price: £800 - £900
Corinne Hutton
Manchester School of Art
Hutton believes movement is essential for her pieces.
Through chopping and changing the original, the work
takes on a new innovative form. The patterns start off
symmetrical and repetitive. The overlay of more layers
disrupts this by taking away the rigid original structure
to establish a fluidity. Hutton gives new purpose to
something that is often disregarded and ascetically
reinvests energy to create art from something deemed
as nothing.
Organised Chaos
Linocut Printed onto Acrylic on Canvas
120x180cm
Aucton Guide Price: £500 - £600
David Miller
Glasgow School of Art
On an imaginary line along Earth's surface known as ‘The Agonic Line’ there are sites where a freely suspended magnetic needle indicates true north.I made a pilgrimage to these points to study, record and experiment with magnetism in its truest form. By employing this live, invisible & volatile force as a medium, we harness its power and interrupt its natural design with fascinating results.
53°24'00.0"N 1°45'54.0"W
Ferrofluid and Aluminium on Polypropylene
59x42cm
Aucton Guide Price: £150 - £200
David Miller
Glasgow School of Art
On an imaginary line along Earth's surface known as ‘The Agonic Line’ there are sites where a freely suspended magnetic needle indicates true north.I made a pilgrimage to these points to study, record and experiment with magnetism in its truest form. By employing this live, invisible & volatile force as a medium, we harness its power and interrupt its natural design with fascinating results.
57°08'30.0"N 4°40'48.0"W
Ferrofluid and Aluminium on Polypropylene
59x42cm
Aucton Guide Price: £100 - £125
David Miller
Glasgow School of Art
On an imaginary line along Earth's surface known as ‘The Agonic Line’ there are sites where a freely suspended magnetic needle indicates true north.I made a pilgrimage to these points to study, record and experiment with magnetism in its truest form. By employing this live, invisible & volatile force as a medium, we harness its power and interrupt its natural design with fascinating results.
56°41'36.0"N 3°43'48.0"W
Ferrofluid and Aluminium on Polypropylene
84x59cm
Aucton Guide Price: £150 - £200
David Miller
Glasgow School of Art
On an imaginary line along Earth's surface known as ‘The Agonic Line’ there are sites where a freely suspended magnetic needle indicates true north.I made a pilgrimage to these points to study, record and experiment with magnetism in its truest form. By employing this live, invisible & volatile force as a medium, we harness its power and interrupt its natural design with fascinating results.
55°27'00.0"N 5°32'48.0"W
Ferrofluid and Aluminium on Polypropylene
42x29cm
Aucton Guide Price: £50 - £70
David Miller
Glasgow School of Art
On an imaginary line along Earth's surface known as ‘The Agonic Line’ there are sites where a freely suspended magnetic needle indicates true north.I made a pilgrimage to these points to study, record and experiment with magnetism in its truest form. By employing this live, invisible & volatile force as a medium, we harness its power and interrupt its natural design with fascinating results.
56°24'12.0"N 4°37'30.0"W
Ferrofluid and Aluminium on Polypropylene
42x29cm
Aucton Guide Price: £50 - £70
Denisa Kreitzer
Leeds Arts University
My work is based on the ontology of the visual and its capacity to question reality, the juxtaposition of unrelated objects, worlds and concepts, whether by chance or intention. The order and choice of items is radically unnatural and these objects, as familiar as they might seem, exist in a parallel world beyond reality, creating another dimension for them to exist in through the use of paint.
Scopaesthesia 1
Oil on Ply
21x29cm
Aucton Guide Price: £400 - £500
Denisa Kreitzer
Leeds Arts University
My work is based on the ontology of the visual and its capacity to question reality, the juxtaposition of unrelated objects, worlds and concepts, whether by chance or intention. The order and choice of items is radically unnatural and these objects, as familiar as they might seem, exist in a parallel world beyond reality, creating another dimension for them to exist in through the use of paint.
Scopaesthesia 2
Oil on Ply
21x29cm
Aucton Guide Price: £400 - £500
Denisa Kreitzer
Leeds Arts University
My work is based on the ontology of the visual and its capacity to question reality, the juxtaposition of unrelated objects, worlds and concepts, whether by chance or intention. The order and choice of items is radically unnatural and these objects, as familiar as they might seem, exist in a parallel world beyond reality, creating another dimension for them to exist in through the use of paint.
Scopaesthesia 3
Oil on Ply
21x29cm
Aucton Guide Price: £600 - £700
Erin Taylor
Manchester School of Art
Taylor's work has stemmed from investigations into mapping of the urban environment. She is interested in alternative information gathering and non-traditional artistic methods of representation, such as graphs and data diagrams. She believes that these diagrams can reveal information about the everyday that may not be initially apparent. Data and statistics can reveal interesting trends and patterns that pictorial representation cannot.
Journey
Pencil and Digital Print on Tracing Paper and Acrylic in Lightbox
30x42cm
Aucton Guide Price: £375 - £475
Winner, Manchester Metropolitan University Alumni Prize 2019
Selected Artist, ITV Creates 2019
Erin Taylor
Manchester School of Art
Taylor's work has stemmed from investigations into mapping of the urban environment. She is interested in alternative information gathering and non-traditional artistic methods of representation, such as graphs and data diagrams. She believes that these diagrams can reveal information about the everyday that may not be initially apparent. Data and statistics can reveal interesting trends and patterns that pictorial representation cannot.
Journey
Pencil and Digital Print on Tracing Paper and Acrylic in Lightbox
30x42cm
Aucton Guide Price: £375 - £475
Winner, Manchester Metropolitan University Alumni Prize 2019
Selected Artist, ITV Creates 2019
Erin Taylor
Manchester School of Art
Taylor's work has stemmed from investigations into mapping of the urban environment. She is interested in alternative information gathering and non-traditional artistic methods of representation, such as graphs and data diagrams. She believes that these diagrams can reveal information about the everyday that may not be initially apparent. Data and statistics can reveal interesting trends and patterns that pictorial representation cannot.
Journey
Pencil and Digital Print on Tracing Paper and Acrylic in Lightbox
30x42cm
Aucton Guide Price: £375 - £475
Winner, Manchester Metropolitan University Alumni Prize 2019
Selected Artist, ITV Creates 2019
Fern Cooke
Manchester School of Art
‘Do what is right’ is a completely recycled piece which gives a voice to the concerns and worries of younger generations around the ongoing climate crisis. As an artist I’ve always been very socially driven and ethics is a prominent theme in everything I create. I was very drawn to the idea of creating textile banners due to the key role they’ve played in marches throughout history.
Do What Is Right
Appliqued Text On Denim
100x140cm
Aucton Guide Price: £250 - £350
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 1
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 2
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 3
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 4
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 5
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 6
Digital Print on Cotton Canvas with Embroidery
59x42cm
Aucton Guide Price: £50 - £90
Winner, RNIB North West Exhibition Award 2019
Fiona Burton
Manchester School of Art
My practice is primarily colour focused. Specialising in
print design has allowed me to explore colour and
composition through the means of collage, painting
and digital design to create fun and playful interactive
interiors and installations. My inspiration comes from
all things colourful that entice you to want to explore
their characters. The pieces created are intended to encourage and entice the viewer to want to play and engage their senses.
Feeling Playful 7
Digital Print on Cotton Canvas with Embroidery
160x70x70cm
Aucton Guide Price: £125 - £200
Winner, RNIB North West Exhibition Award 2019
George Welch
Leeds Arts University
My practice is firmly rooted in painting specifically concerning landscape looking more in depth at expression, with a focus on; colour, form and composition, particularly in respect of how painting communicates emotion. I believe painting to be an incredibly personal and meditative form of art, projecting oneself through a tangible expression of your innate personality.
New Place
Oil on Canvas
150x120cm
Aucton Guide Price: £1250 - £1350
George Welch
Leeds Arts University
My practice is firmly rooted in painting specifically concerning landscape looking more in depth at expression, with a focus on; colour, form and composition, particularly in respect of how painting communicates emotion. I believe painting to be an incredibly personal and meditative form of art, projecting oneself through a tangible expression of your innate personality.
SPLIT
Oil on Canvas
150x120cm
Aucton Guide Price: £1250 - £1350
George Welch
Leeds Arts University
My practice is firmly rooted in painting specifically concerning landscape looking more in depth at expression, with a focus on; colour, form and composition, particularly in respect of how painting communicates emotion. I believe painting to be an incredibly personal and meditative form of art, projecting oneself through a tangible expression of your innate personality.
Red Gate
Oil on Canvas
150x120cm
Aucton Guide Price: £1250 - £1350
Holly Ainslie
Glasgow School of Art
We are drawn to the fragility of objects – pre-disposed to maintain and conserve the latter in a state of uncertainty. Teetering on the edge of disappearance. We find fascination and dread within this fine line – curious to see what used to be. Holly Ainslie’s practice aims to encompass this dichotomy of permeance through her painting; concerned with the state of an object, it’s relation to us and its ontological truth.
I Mistook a Cloud of Atoms for a Person
Oil Paint and Gesso on Board
105x200cm
Aucton Guide Price: £700 - £800
Holly Ainslie
Glasgow School of Art
We are drawn to the fragility of objects – pre-disposed to maintain and conserve the latter in a state of uncertainty. Teetering on the edge of disappearance. We find fascination and dread within this fine line – curious to see what used to be. Holly Ainslie’s practice aims to encompass this dichotomy of permeance through her painting; concerned with the state of an object, it’s relation to us and its ontological truth.
Goodbye Sister (panel 1)
Oil Paint and Gesso on Board
105x75cm
Aucton Guide Price: £750 - £850 (set of 2)
Holly Ainslie
Glasgow School of Art
We are drawn to the fragility of objects – pre-disposed to maintain and conserve the latter in a state of uncertainty. Teetering on the edge of disappearance. We find fascination and dread within this fine line – curious to see what used to be. Holly Ainslie’s practice aims to encompass this dichotomy of permeance through her painting; concerned with the state of an object, it’s relation to us and its ontological truth.
Goodbye Sister (panel 2)
Oil Paint and Gesso on Board
105x75cm
Aucton Guide Price: £750 - £850 (set of 2)
India Georgia
Manchester School of Art
My practice focuses primarily on drawing, painting and
mark-making. I work in an abstract manner, and I am
inspired by the surroundings of my homeland of Northern Ireland; my work is often a reflection of the land, its culture and politics, capturing it in an intriguing and conceptual manner. Further to this, I use free-hand machine embroidery as an extension of my drawing and mark-making skills.
The Re-Generation of Belfast
Digitally Printed Acrylic Paint on Cotton Canvas with Machine Stitched Embellishments
300x150cm
Aucton Guide Price: £1000 - £1350
Jack McGarrity
Glasgow School of Art
Taking the myth of Sisyphus as a point of origin, my work
seeks to explore notions of the absurd, alienation, masculinity and the legacy of deindustrialisation. Combining the temporal and the mythic and rooted in a deep engagement with art history, the work incorporates a kaleidoscopic array of source material that collage in tangible, yet illogical, scenarios.
Untitled
Pencil, Ink and Gouache on Paper
84x114cm
Aucton Guide Price: £600 - £700
Winner, RSA John Kinross Scholarship 2019Winner, Richard Ford Award 2018
James Allinson
Leeds Arts University
James Allinson is a commercial and retail landscape photographer based in the Yorkshire Dales, his most recent photographic project, titled ‘In the Shadows of the Fells’, is an environmental documentary project that reveals more about the people who play a role in shaping, maintaining and conserving the natural heritage of the Yorkshire Dales. Allinson aims to showcase the work that they do and the relationships that they have with the landscape.
Gameskeeper Portrait
Inkjet Print on Satin Paper
76x51cm
Aucton Guide Price: £55 - £80
James Allinson
Leeds Arts University
James Allinson is a commercial and retail landscape photographer based in the Yorkshire Dales, his most recent photographic project, titled ‘In the Shadows of the Fells’, is an environmental documentary project that reveals more about the people who play a role in shaping, maintaining and conserving the natural heritage of the Yorkshire Dales. Allinson aims to showcase the work that they do and the relationships that they have with the landscape.
Torching
Inkjet Print on Satin Paper
41x51cm
Aucton Guide Price: £125 - £150 (set of 2)
James Allinson
Leeds Arts University
James Allinson is a commercial and retail landscape photographer based in the Yorkshire Dales, his most recent photographic project, titled ‘In the Shadows of the Fells’, is an environmental documentary project that reveals more about the people who play a role in shaping, maintaining and conserving the natural heritage of the Yorkshire Dales. Allinson aims to showcase the work that they do and the relationships that they have with the landscape.
Burning Heather
Inkjet Print on Satin Paper
41x51cm
Aucton Guide Price: £125 - £150 (set of 2)
James Allinson
Leeds Arts University
James Allinson is a commercial and retail landscape photographer based in the Yorkshire Dales, his most recent photographic project, titled ‘In the Shadows of the Fells’, is an environmental documentary project that reveals more about the people who play a role in shaping, maintaining and conserving the natural heritage of the Yorkshire Dales. Allinson aims to showcase the work that they do and the relationships that they have with the landscape.
Burning Heathland
Inkjet Print on Satin Paper
41x51cm
Aucton Guide Price: £125 - £150 (set of 2)
James Allinson
Leeds Arts University
James Allinson is a commercial and retail landscape photographer based in the Yorkshire Dales, his most recent photographic project, titled ‘In the Shadows of the Fells’, is an environmental documentary project that reveals more about the people who play a role in shaping, maintaining and conserving the natural heritage of the Yorkshire Dales. Allinson aims to showcase the work that they do and the relationships that they have with the landscape.
Observing the Moorland
Inkjet Print on Satin Paper
41x51cm
Aucton Guide Price: £125 - £150 (set of 2)
Jason Sojka
Leeds Arts University
Through lighting, styling and retouching Jason Sojka crafts images that elevate products to achieve maximum impact. Sojka's style is often clean and minimal, however an occasional playfulness adds to consumer engagement; increasing desirability.
Jason Sojka’s Still Life & Styling
Inkjet Print on Satin Paper
84x59cm
Aucton Guide Price: £260 - £360
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Littleworth Lane 2
Oil on Canvas
60x90cm
Aucton Guide Price: £500 - £600
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Barnsley Rd
Oil on Plywood Panel
31x41cm
Aucton Guide Price: £200 - £300
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Rotherham Rd
Oil on Plywood Panel
31x41cm
Aucton Guide Price: £200 - £300
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Littleworth Lane 1
Oil on Plywood Panel
31x41cm
Aucton Guide Price: £200 - £300
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Grange Lane
Oil on Plywood Panel
31x41cm
Aucton Guide Price: £200 - £300
Josh Newsome
Leeds Arts University
Josh's paintings emerge through real temporal experience, focusing on the uncertainty of the night within urban landscape. The paintings have moments of sublime passages where the uncertainty of shape and depth convey an ambiguity that is unsettling yet alluring. Subtle tones and brush strokes leave room for speculation, where the viewer is invited to look through the image and use their experience to build a relationship with the work.
Abbey Lane 2
Oil on Plywood Panel
31x41cm
Aucton Guide Price: £200 - £300
Katarzyna Krynska
Glasgow School of Art
Focusing on political strains within society, Katarzyna Krynska's work explores people’s internal constraints, resulting from both what we are told and what is omitted from public, easy access media. Krynska works in oil, photography and theatre/film. Often intertwining mediums, such as within the painting ‘Konformista’, where a segment of the painting adopts the theatre practitioner; Stanislavski's theories. Looking upon the painting ‘Konformista’, we adopt an omniscient stance by overlooking the figures, seated in eerily similar, but not exact positions.
Konformista
Oil on Canvas
145x165cm
Aucton Guide Price: £950 - £1050
Shortlisted, James Nicol McBroom Memorial Prize 2020
Lauren Brown
Leeds Arts University
Lauren Brown is an abstract artist who primarily works
with oils on canvas. Lauren uses a balance of colour, marks and space achieved through different variations in paint application. Her work evokes an essence of fluidity, movement and improvisation, creating paintings with recognisable elements that contrast with unknown and intriguing marks and shapes. She allows the paintings to be open to interpretation.
Amy
Oil on Canvas
150x150cm
Aucton Guide Price: £450 - £550
Lauren Brown
Leeds Arts University
Lauren Brown is an abstract artist who primarily works
with oils on canvas. Lauren uses a balance of colour, marks and space achieved through different variations in paint application. Her work evokes an essence of fluidity, movement and improvisation, creating paintings with recognisable elements that contrast with unknown and intriguing marks and shapes. She allows the paintings to be open to interpretation.
Pollyanna
Oil on Canvas
152x152cm
Aucton Guide Price: £450 - £550
Leon Thompson
Manchester School of Art
Predominantly a Graphic Designer, Thompson likes to explore his own relationships and interactions with the world in a tongue-in-cheek fashion, not afraid to pull his own short comings as a person to the surface for his work.
Give Yourself Some Love
Inkjet on Satin Paper
29x41cm
Not for sale in the Auction
Leon Thompson
Manchester School of Art
Predominantly a Graphic Designer, Thompson likes to explore his own relationships and interactions with the world in a tongue-in-cheek fashion, not afraid to pull his own short comings as a person to the surface for his work.
I'm the Most Important Thing to Me
Inkjet on Satin Paper
29x41cm
Not for sale in the Auction
Leon Thompson
Manchester School of Art
Predominantly a Graphic Designer, Thompson likes to explore his own relationships and interactions with the world in a tongue-in-cheek fashion, not afraid to pull his own short comings as a person to the surface for his work.
Feed the Ego
Inkjet on Satin Paper
29x41cm
Not for sale in the Auction
Leon Thompson
Manchester School of Art
Predominantly a Graphic Designer, Thompson likes to explore his own relationships and interactions with the world in a tongue-in-cheek fashion, not afraid to pull his own short comings as a person to the surface for his work.
I'd Sometimes Catch Them in Reflections
Inkjet on Satin Paper
29x41cm
Not for sale in the Auction
Lewis Andrews
Leeds Arts University
Lewis Andrew is an emerging artist specialising in photography, drawings and printing from Leeds. Inspired by early romantic notions of the sublime, he composes work that reflects on the overwhelming and powerful qualities within nature and the cosmos. Incorporating a style defined by a high contrast, Andrews uses photography to document moments where elements in nature display the power, terror and awe present within them, in this case the ocean.
St Ives 233
Inkjet Print on Semi-Gloss Canvas
160x110cm
Aucton Guide Price: £400 - £500
Lewis Andrews
Leeds Arts University
Lewis Andrew is an emerging artist specialising in photography, drawings and printing from Leeds. Inspired by early romantic notions of the sublime, he composes work that reflects on the overwhelming and powerful qualities within nature and the cosmos. Incorporating a style defined by a high contrast, Andrews uses photography to document moments where elements in nature display the power, terror and awe present within them, in this case the ocean.
St Ives 219
Inkjet Print on Semi-Gloss Canvas
160x110cm
Aucton Guide Price: £400 - £500
Louis Nye
Glasgow School of Art
Louis Nye works with images that have a multiplicity of
genre, exploiting their potential to gain new meanings as
they travel through different mediums and contexts. In
paintings and weavings he recreates sections of his
bedroom walls covered in postcards, photos and clippings, with a particular focus on the space in-between the images: the parallels, the tensions, the historical and cultural leaps and, ultimately, how they can co-inhabit one space.
Pillar #1
Oil on Hessian
244x32cm
Aucton Guide Price: £600 - £700
Shortlisted, Graduate Showcase Artist 2019
Shortlisted, Visual Arts Scotland 2019
Louis Nye
Glasgow School of Art
Louis Nye works with images that have a multiplicity of
genre, exploiting their potential to gain new meanings as
they travel through different mediums and contexts. In
paintings and weavings he recreates sections of his
bedroom walls covered in postcards, photos and clippings, with a particular focus on the space in-between the images: the parallels, the tensions, the historical and cultural leaps and, ultimately, how they can co-inhabit one space.
Pillar #2
Oil on Hessian
34x244cm & 41x244cm
Aucton Guide Price: £600 - £700
Shortlisted, Graduate Showcase Artist 2019
Shortlisted, Visual Arts Scotland 2019
Louis Nye
Glasgow School of Art
Louis Nye works with images that have a multiplicity of
genre, exploiting their potential to gain new meanings as
they travel through different mediums and contexts. In
paintings and weavings he recreates sections of his
bedroom walls covered in postcards, photos and clippings, with a particular focus on the space in-between the images: the parallels, the tensions, the historical and cultural leaps and, ultimately, how they can co-inhabit one space.
Pillar #3
Oil on Hessian
244x32cm
Aucton Guide Price: £700 - £800
Shortlisted, Graduate Showcase Artist 2019
Shortlisted, Visual Arts Scotland 2019
Matt Farr
Glasgow School of Art
My paintings take the cinematic image and transform it from its initial intent. By employing second-hand imagery, sourced from film stills, and embedding them with the first hand, new narratives are formed. These new narratives are in service of my own experience and personal feelings surrounding the limitations of masculinity, particularly in relation to mental health. The fictional other, stolen from cinema, is used as a vessel for these feelings.
Marmalade
Oil on Canvas
180x150cm
Aucton Guide Price: £500 - £600
Matt Farr
Glasgow School of Art
My paintings take the cinematic image and transform it from its initial intent. By employing second-hand imagery, sourced from film stills, and embedding them with the first hand, new narratives are formed. These new narratives are in service of my own experience and personal feelings surrounding the limitations of masculinity, particularly in relation to mental health. The fictional other, stolen from cinema, is used as a vessel for these feelings.
Writing a Zombie Novel Takes Dead-ication
Oil on Canvas
150x90cm
Aucton Guide Price: £400 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
The Lovers
Watercolour, Ink and Gouache on Paper
40x32cm
Not for sale in the Auction
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
8 of Coins
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
2 of Cups
Watercolour, Ink and Gouache on Paper
40x32cm
Not for sale in the Auction
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
The Wheel of Fortune
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
3 of Swords
Watercolour, Ink and Gouache on Paper
40x32cm
Not for sale in the Auction
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
Page of Cups
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
The Chariot
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
The Hermit
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
10 of Wands
Watercolour, Ink and Gouache on Paper
40x32cm
Aucton Guide Price: £350 - £500
Maura Gaven
Glasgow School of Art
My practice focuses mainly on the concepts of personal histories and mythologies, the occult, and the relationships between the body and space. These paintings are part of a now-complete two year project to paint a full set of 78 individual Tarot card designs. Each card was carefully considered and designed according to my personal interpretation of the card’s meaning and symbolism, and painstakingly hand painted in watercolour.
The Moon
Watercolour, Ink and Gouache on Paper
40x32cm
Not for sale in the Auction
Nat Akinyi
Glasgow School of Art
Nat Akinyi is an artist of African descent based in the UK whose work explores digital and environmental inequality in Africa. This work imagines what the private moments of an African kleptocrat might be like through a glimpse of him and his wife’s journey on a luxury train. I chose the setting of a train due to its associations in Africa with colonialism, industry and wealth inequality.
Train Journey
Digital Print on Silk Impression,
Bead Embroidery and Projection
140x227cm
Aucton Guide Price: £400 - £500
Natalia Robak
Glasgow School of Art
In my practice I use collage as not only a medium but a form of self-expression. texture, colour and composition are the most important aspects of my work. Exploring the topic of state farms allowed my work to become less bound by the restrictions of the subject matter and more of a unified representation of space, filled with depth and layers.
State Farm 1
Inkjet Print on Cartridge Paper
42x42cm
Aucton Guide Price: £250 - £350 (set of 5)
Natalia Robak
Glasgow School of Art
In my practice I use collage as not only a medium but a form of self-expression. texture, colour and composition are the most important aspects of my work. Exploring the topic of state farms allowed my work to become less bound by the restrictions of the subject matter and more of a unified representation of space, filled with depth and layers.
State Farm 2
Inkjet Print on Cartridge Paper
42x42cm
Aucton Guide Price: £250 - £350 (set of 5)
Natalia Robak
Glasgow School of Art
In my practice I use collage as not only a medium but a form of self-expression. texture, colour and composition are the most important aspects of my work. Exploring the topic of state farms allowed my work to become less bound by the restrictions of the subject matter and more of a unified representation of space, filled with depth and layers.
State Farm 3
Inkjet Print on Cartridge Paper
42x42cm
Aucton Guide Price: £250 - £350 (set of 5)
Natalia Robak
Glasgow School of Art
In my practice I use collage as not only a medium but a form of self-expression. texture, colour and composition are the most important aspects of my work. Exploring the topic of state farms allowed my work to become less bound by the restrictions of the subject matter and more of a unified representation of space, filled with depth and layers.
State Farm 4
Inkjet Print on Cartridge Paper
42x42cm
Aucton Guide Price: £250 - £350 (set of 5)
Natalia Robak
Glasgow School of Art
In my practice I use collage as not only a medium but a form of self-expression. texture, colour and composition are the most important aspects of my work. Exploring the topic of state farms allowed my work to become less bound by the restrictions of the subject matter and more of a unified representation of space, filled with depth and layers.
State Farm 5
Inkjet Print on Cartridge Paper
42x42cm
Aucton Guide Price: £250 - £350 (set of 5)
Noel Griffin
Glasgow School of Art
In my practise, I explore the concept of reality, truth and
authenticity. I work in a fashion similar to that of an archaeologist or alchemist, utilising fragments of information in the form of artefacts and narratives which I transform through a variety of processes both traditional and contemporary. The work often appropriates historical artefacts or narratives which are brought into a dialogue with our technological present.
Hepatoscopy
3D Printed PLA with Spray Paint
80x60cm
Aucton Guide Price: £600 - £700
Winner, RSA John Kinross Scholarship 2019
Shortlisted, RSA New Contemporaries 2020
Winner, RSA Chalmers Bursary 2020
Olivia Warby
Manchester School of Art
Warby is a multi-disciplinary artist that specifically works with old-fashioned processes such as signwriting. The work that she creates is mainly based around restoring old, unwanted materials. She takes traditional advertising techniques and transforms them to highlight the importance of self-care, using a compilation of reassuring texts that her Mother has sent to her over the duration of her time at University.
Are You Ok?
Acrylic and Enamel Paint on Wooden Brackets with Recycled Wooden Frames
(x3) 75x61x8cm
Aucton Guide Price: £550 - £650
Radhika Parekh
Manchester School of Art
Graduating with a Fine Art and Art History Bachelors degree, Radhika Parekh is a flourishing young artist who practices with acrylic and oil paints. Using sensitive mark-making, layers and contrasting colours, her current project explores her Sri Lankan heritage and the connections she made on her recent trip there. Radhika uses frames and gold embellishment to draw attention to the nostalgic natural landscapes she saw throughout the Sri Lankan countryside.
Framed
Acrylic on Canvas with Metal Gold Embellishment
150x102cm
Aucton Guide Price: £600 - £700
Radhika Parekh
Manchester School of Art
Graduating with a Fine Art and Art History Bachelors degree, Radhika Parekh is a flourishing young artist who practices with acrylic and oil paints. Using sensitive mark-making, layers and contrasting colours, her current project explores her Sri Lankan heritage and the connections she made on her recent trip there. Radhika uses frames and gold embellishment to draw attention to the nostalgic natural landscapes she saw throughout the Sri Lankan countryside.
In Sight
Acrylic on Canvas
50x40cm
Aucton Guide Price: £550 - £650
Robert Lallement, Ollie Jones, Maria Samaniego, Remi Rabillat, Sasha Gallgher, Tristan Pike
Manchester School of Art
This was a collaboration of a group of six animators. Creating a 3D animation, we took inspiration from Disney & Pixar and their use of colour for mood changes throughout their films. As Luz is very fast paced our colour script changes rapidly and with fluidity.
Luz Film Colour Script
Digital Print on Paper
41x300cm
Not for sale in the Auction
Roslyn Ewin
Manchester School of Art
Reoccurring themes of surrealism and grotesque portraiture, influenced by the idealism of the Baroque period. Ewin’s work deals with sombre feelings in a humorous way and is often tightly framed and dressed minimally to leave room for the viewer to project their own thoughts and context onto it.
The Artist
Inkjet Print on Satin Paper
63x80cm
Aucton Guide Price: £225 - £325
Roslyn Ewin
Manchester School of Art
Reoccurring themes of surrealism and grotesque portraiture, influenced by the idealism of the Baroque period. Ewin’s work deals with sombre feelings in a humorous way and is often tightly framed and dressed minimally to leave room for the viewer to project their own thoughts and context onto it.
The Performer
Inkjet Print on Satin Paper
63x80cm
Aucton Guide Price: £225 - £325
Samantha Dick
Glasgow School of Art
The basis of Dick’s multi-disciplined practice is the
rejection of social expectations. How can one best
dismantle the social and psychological constraints
placed upon the body by an oppressive society?
Through the use of theatrical play the artist encourages
the viewer to disrupt their own impressions of normality.
Dick’s work challenges gender norms, addresses power
relations and conformity, whilst subverting society’s ideals and heteronormativity.
The Doll's House
Installation and Film
N/A
Aucton Guide Price: Clock £250-£300, Dresser £250-£300, Fireplace £250-£300, Chair £550-£600, Table £300-£400, TV Facade (including flat screen) £600-£650
Sean Ellcombe
Glasgow School of Art
Using a curtain subject was to make a window image.
Which came from an investigation into the spaces
between the sitter, artist and the viewer. Inspired from
the structures in the portrait genre. Looking and
favouring for the portrait space. Making a developmental response on the relevancy in the representation of a sitter held in the painted object to the ever-changing and passing viewer.
Untitled (Blue Curtains)
Oil on Canvas
199x250cm
Aucton Guide Price: £550 - £650
Winner, Richard Ford Award
Richard Ford Award Fund
2017
Winner, Emmy Sachs Award
The Glasgow School of Art
2019
Joint Winner, RGI Award
Royal Glasgow Institute, Kelly Gallery Glasgow
2019
Sean Ellcombe
Glasgow School of Art
Using a curtain subject was to make a window image.
Which came from an investigation into the spaces
between the sitter, artist and the viewer. Inspired from
the structures in the portrait genre. Looking and
favouring for the portrait space. Making a developmental response on the relevancy in the representation of a sitter held in the painted object to the ever-changing and passing viewer.
Untitled (Red Curtains)
Oil on Canvas
199x250
Aucton Guide Price: £550 - £650
Winner, Richard Ford Award
Richard Ford Award Fund
2017
Winner, Emmy Sachs Award
The Glasgow School of Art
2019
Joint Winner, RGI Award
Royal Glasgow Institute, Kelly Gallery Glasgow
2019
Siusan Patterson
Glasgow School of Art
' 'The Judgement of Paris' from Greek mythology is the reference point for these two works. The implied narrative in my paintings signifies the right of females to present themselves without fearing criticism and considers how society ought to ‘stop’ judging individuals on how they look. In a society obsessed with body image and youthfulness, my work reflect the joyful euphoria some women experience by rejecting the unrealistic and somewhat unattainable expectations placed on them and seeks to reclaim and celebrate more realistic representations of women.
Grace and the Two Graces
Acrylic, Thread & Pastel on Canvas
111x161cm
Aucton Guide Price: £500 - £600
Siusan Patterson
Glasgow School of Art
' 'The Judgement of Paris' from Greek mythology is the reference point for these two works. The implied narrative in my paintings signifies the right of females to present themselves without fearing criticism and considers how society ought to ‘stop’ judging individuals on how they look. In a society obsessed with body image and youthfulness, my work reflect the joyful euphoria some women experience by rejecting the unrealistic and somewhat unattainable expectations placed on them and seeks to reclaim and celebrate more realistic representations of women.
Stop! 2
Acrylic, Thread & Pastel on Canvas
111x161cm
Aucton Guide Price: £500 - £600
Victoria Nash
Leeds Arts University
Victoria has created a series of still-life images which focus on the positive side of the sustainability movement. It explores the incredible things people are doing for our planet and how consumers can make their everyday habits more sustainable. The aesthetic approach intends to pull viewers in and educate them about sustainable lifestyles, hoping that they are more likely to want to make simple, positive, changes within their own lives.
Clouds
Inkjet Print on Bamboo Paper
52x42cm
Aucton Guide Price: £400 - £500 (set of 4)
Victoria Nash
Leeds Arts University
Victoria has created a series of still-life images which focus on the positive side of the sustainability movement. It explores the incredible things people are doing for our planet and how consumers can make their everyday habits more sustainable. The aesthetic approach intends to pull viewers in and educate them about sustainable lifestyles, hoping that they are more likely to want to make simple, positive, changes within their own lives.
Toothbrushes
Inkjet Print on Bamboo Paper
52x42cm
Aucton Guide Price: £400 - £500 (set of 4)
Victoria Nash
Leeds Arts University
Victoria has created a series of still-life images which focus on the positive side of the sustainability movement. It explores the incredible things people are doing for our planet and how consumers can make their everyday habits more sustainable. The aesthetic approach intends to pull viewers in and educate them about sustainable lifestyles, hoping that they are more likely to want to make simple, positive, changes within their own lives.
Cutlery
Inkjet Print on Bamboo Paper
52x42cm
Aucton Guide Price: £400 - £500 (set of 4)
Victoria Nash
Leeds Arts University
Victoria has created a series of still-life images which focus on the positive side of the sustainability movement. It explores the incredible things people are doing for our planet and how consumers can make their everyday habits more sustainable. The aesthetic approach intends to pull viewers in and educate them about sustainable lifestyles, hoping that they are more likely to want to make simple, positive, changes within their own lives.
Menstrual Cup
Inkjet Print on Bamboo Paper
52x42cm
Aucton Guide Price: £400 - £500 (set of 4)
Vincent Python
Manchester Arts University
Je Fais Souvent ce Rêve Étrange (I Often Have This Strange Dream) depicts a strange scene of an abandoned blue and purple tennis court. The intention was to study colour and blend reality with fiction by contrasting linear and painterly ways of painting. The purpose of my paintings is to reveal the beauty of strangeness by defamiliarising my subjects.
Je Fais Souvent ce Rêve Étrange (I Often Have This Strange Dream)
Oil on Canvas
200x240cm
Aucton Guide Price: £900 - £1100
Yingxin Liang
Manchester Arts University
Yingxin (Cassie) Liang explores various perspectives of everyday routines. In modern society, showing one's daily life is not new, but the question she has been thinking about is whether everyone is willing to show their real, boring and repeated everyday life to the public.Liang’s works are not only the connection between art and everyday life, but also the dialogue between private and public spheres.
A - From Monday to Sunday
Oil on Wooden Panel
(x7) 20x20cm
Aucton Guide Price: £1200 - £1300 (set of 7)
Yingxin Liang
Manchester Arts University
Yingxin (Cassie) Liang explores various perspectives of everyday routines. In modern society, showing one's daily life is not new, but the question she has been thinking about is whether everyone is willing to show their real, boring and repeated everyday life to the public.Liang’s works are not only the connection between art and everyday life, but also the dialogue between private and public spheres.
B - From Monday to Sunday
Oil on Wooden Panel
(x7) 20x20cm
Aucton Guide Price: £1400 - £1500 (set of 7)